needs more demons?

Prospero Lost is one of the most original contemporary fantasies I’ve read in years from outside the slipstream camp. Its central conceit is that Shakespeare’s The Tempest was loosely based on fact. Prospero, Miranda (and later additions to the clan) are near-immortal beings secretly responsible for imposing order on elemental magical forces, thus making modern [...]

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At its best, Pump Six reminds me of George Saunders and Lucius Shepard: Saunders for the wry yet disturbing cautionary near-future dystopias, Shepard for the core of outrage that runs deep through these stories — except where the anger of Shepard’s breakthrough fiction was directed at U.S. imperialism, Bacigalupi seems driven by environmental issues. “The [...]

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Pride and Prescience has an audacious conceit: not only is it a sequel to Austen’s immortal Pride and Prejudice, it re-imagines Lord and Mrs. Darcy (née Bennet) as amateur sleuths. An interesting kernel underlies this (and perhaps lessens its outrageousness) — both Austen’s novels and traditional English “village” mysteries deliberately limit the scope of [...]

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The Perfect Play is a novel about a young woman coming to terms with her abandonment issues via a quest for her vanished professional gambler dad. Audrey Unger is a mathematical genius, but her penchant for periodic drastic upheavals of her life has left her a chronic underachiever. As the clock seems to be running [...]

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I’ve been thinking about this novel for months, and I still can’t figure out out how it feels so fresh and original, even though it’s built from such familiar components. Will Kennedy is a slightly off-the-rails underachiever who could have a bit part in almost any Richard Linklater movie without sticking out. He has the [...]

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Laurie Lindeen’s rags-to-well,rags chronicle of her band Zuzu’s Petals reminded strongly of Tommy Womack’s excellent and thematically similar Cheese Chronicles, with the added fillip that Laurie hooks up with someone Much More Famous midway through the band’s career arc.
Almost all of the book is written in the present tense. Lindeen is sometimes deliberately cagey about [...]

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