needs more demons?

Let’s try to squeeze in one more spooky book while it’s seasonal…
My friend Tim of the Doubtful Palace has several times compared Aickman to Kelly Link. My first brush with Aickman was disappointing, I think because my expectations were mis-calibrated. I found few specific points of similarity between the two writers: Aickman is implicitly patriarchal […]

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Karen Novak’s Five Mile House is unambiguously a ghost story, even a haunted house story — one of the narrative voices belongs to a ghost, and provides the novel with its arresting opening sentences:
I am Eleanor, and I, like this house, am haunted. I died when I fell from this tower, that window. It […]

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Harwood’s The Ghost Writer is a tour-de-force of the “is it a haint, or ain’t it” style of ghost(?) story, and simultaneously an impressive feat of post-modern multi-level narrative construction. Gerard Freeman keeps finding ghost stories — both whole and as tantalizing fragments — written by a mysterious relative, which the reader gets to absorb […]

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I’ve been thinking about this novel for months, and I still can’t figure out out how it feels so fresh and original, even though it’s built from such familiar components. Will Kennedy is a slightly off-the-rails underachiever who could have a bit part in almost any Richard Linklater movie without sticking out. He has the […]

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Crystal Zevon’s biography of perennially misunderstood and mis-marketed songwriter Warren Zevon takes a holographic approach to the musician’s life (and death). Crystal Zevon (a former wife) provides chunks of bridging text, but the book consists mostly of brief chronologically-arranged snippets from an impressive array of Zevon’s family, friends, lovers, collaborators, and (most importantly) excerpts from […]

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I’ve whined recently about how the London punk scene of ‘76-77 gets such a disproportionate share of media attention. So why’d I pick up Matlock’s book? Because his is one of the first-person perspectives I haven’t seen. Lydon’s and McLaren’s versions are amply documented. But Matlock’s part in the Pistols actually ends when Sid Vicious […]

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